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Museo Camera Needs To Raise Rs. 1.5 Crore
Museo Camera is India’s first vintage camera museum located at India Photo Archive’s headquarters in Gurugram. It showcases antique analogue cameras, and other photographic equipment dating back to the 19th century. The collection is owned and curated by photographer and visual historian, Aditya Arya. The government of Haryana, through the Municipal Corporation of Gurugram (MCG) has decided to build an 18,000 sq. ft. museum to exhibit Arya’s vast collection. They have leased 0.75 acres land in Chakkarpur, Gurugram. Museo Camera: A Centre for the Photographic Arts will have exhibition spaces for 200 visitors, along with scientifically controlled environments for the preservation of artifacts, equipment, negatives, and others. However, the museum needs to raise Rs. 1.5 crore, through contributions. Arya aims to make Museo Camera India’s first crowd funded museum. The contributors will also have their names featured on the wall of the museum, along with other privilages. To contribute, please
Ecole Intuit Lab Will Introduce Photography Courses
The Ecole Intuit Lab (EIL), a French institute of graphic design and visual communication, has introduced two new photography courses—A part-time course (starting from March 2018), and a full-time one year diploma (starting from July 2018). The aim of the course is to train budding photographers who wish to hone their skills and pursue photography professionally. The faculty is comprised of names like Jeroo Mulla, Chirodeep Chaudhuri, Srinivas Kuruganti, P Madhavan, Anurag Banerjee, and Kunal Kampani. The course will also offer insights on topics like graphic design, lettering and typography, branding, and semiotics, for better future collaborations with designers. “Although the main curriculum is tightly put together, the classes aren’t textbook based. This follows a philosophy of education through work-like situations, in order to allow more in-class flexibility, as well as to prepare students for the real world,” says Matthieu Foss, Director of the photography programme at EIL.
HIPA Announces the Winners of 2018 Competition
The Hamdan International Photography Award (HIPA) has concluded its seventh season of competition ‘The Moment’. The award ceremony was held at Dubai Opera on March 12. The grand prize winner of the competition is Mohamed Alragheb’s picture of Spring in Aleppo, Syria. Winner of the Time-lapse video category is Beno Saradzic for Elysium, Slovenia. The Portfolio category winner is Paul Nicklen for A Harsh Melt, Canada. The General Category has been subdivided into two parts: Black and White, and Color. The winner of the Black and White category is Mahdi Pourebadi for capturing Duelling with Nature, Iran; and the winner of the Colour category is Zuhe Ding’s image of The Dream Express, China. Furthermore, photojournalist James Nachtwey received the Photography Appreciation Award, fellow photographer and environmental activist James Balog was presented with the Photography Content Creator Award, and photographer Muhammed Muheisen received the Emerging Person in Photography Award. HIPA has also revealed the theme for its eighth season–Hope.
Maganbhai Patel, Known for his Studio Portraits, Passes Away
Maganbhai Patel passed away on 11 February in England. He was 95. He arrived in Coventry, from India, in 1951, and spent his initial years in shared housing, where he mingled with other immigrants. He found work at General Electric, where he was a member of their photographic society. Having already dabbled in photography when he was in India, Patel took photography classes in England. It was during this time that he began receiving assignments to photograph weddings and other events. Eventually, he quit his job to pursue photography full-time. Soon, he opened his own studio, close to home, where he photographed anybody who came in looking to have a portrait made of themselves. These individuals were mostly immigrants like him, hoping to get a passport picture made or to send photographs back home. At 94, his work came into the limelight, when his daughter showcased his work in a local exhibition group. “His work is of huge signifi cance not just for Coventry but the UK because it’s a window into the lives of people as they arrived here and the image they wanted to send home,” says Jason Tilley, curator of Photo Archive Miners.