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Photojournalist Max Desfor Dies at 104
Max Desfor, a former Associated Press (AP) photographer, the ex-photo editor of US News & World Report, passed away on 19 February in Maryland, USA, due to complications from a stroke. He was 104 years old. Desfor began his career as a messenger and darkroom assistant with AP, in 1933. In June 1950, he volunteered to report on the Korean War, when the North invaded the South. He was awarded the Pulitzer prize for his photograph that showed of hundreds of Korean war refugees, crossing the destroyed Taedong river bridge, as they looked for security from Chinese troops (1950). Later, during World War II, in August 1945, he photographed the bomber Enola Gay, after the B-29 arrived in Tinian. In an Instagram post following his death, fellow photojournalist David Hume Kennerly, had this to say about Desfor... “Max was a photographer’s photographer: Brave. Intrepid. A brilliant newsman. He had a great run.”
The Air is a Mill of Hooks – Bikaner House, New Delhi
From February 7 to 17, 2018, Vadehra Art Gallery presented a solo exhibition of artist Anju Dodiya’s recent body of works titled The Air is a Mill of Hooks at the Bikaner House in New Delhi. At the exhibition, Dodiya experimented with paintings rendered on shaped mattresses, fabric combines and unbleached cotton. Fraught with psychological perplexity and set to confront viewers with a poised theatricality, with some of the mattresses contoured into blood or teardrops, a sail, or a cross, the works on display simultaneously reminded viewers of the warmth of domestic interiors – making them feel as if they have entered a Renaissance pageant that has been interrupted by a torture scene.
1 + 1 = 1 Million – Vito Schnabel Gallery, St. Moritz
From February 15 to March 11, 2018, Vito Schnabel Gallery presented 1 + 1 = 1 Million, an exhibition curated by artist Tom Sachs to spotlight American conceptual artist Sol LeWitt’s significant works. Through a largescale wall drawing from 1978 and 19 luminous framed works on paper beginning from the 1970s, Sachs drew visitors into LeWitt’s careerlong exploration of authorship and the means by which it can be defined. The exhibition focused on three of the thirty-five statements from LeWitt’s 1969 Sentences on Conceptual Art, highlighting the ineffably poetic outcome of pursuing these ideas to their logical extreme.
Asymmetrical Objects – Dr. Bhau Daji Lad Mumbai City Museum
Earlier this year, Dr. Bhau Daji Lad Mumbai City Museum celebrated its 10th anniversary. And in March 2017, the Museum completed 160 years since it was first opened to the public by Lord Canning in 1857. To commemorate both occasions, the museum inaugurated Asymmetrical Objects – an exhibition curated by Tasneem Zakaria Mehta and Himanshu Kadam. With ten celebrated artists exploring the much-debated Age of the Anthropocene and its impact on the environment and the effects, the exhibition invited viewers to form their own conclusions and share them with the Museum in a dialogue through many activities and discussions.