Dave-franco-wallpaper - image #22
Your screen resolution:Original Image Size: 1920x1200 px
File Type: .jpg
Category: Dave-franco-wallpaper Information for Downloading:
With this tool, you can convert the image to the most suitable resolution for you
Views: 34 | Download:0
Direct HTML Link
Preview / HTML
Forum | Blogs | BBCode
Please Pay Attention
All the Images, Wallpapers, Backgrounds, Pictures, Graphics, Arts are Copyrighted to The Respective Creators, Designers and Authors.
We Don't Intend to Showcase Copyright Images, Pictures, Graphics, Arts.
The Wallpapers, Arts, Graphics available on our website are for Personal Use Only (For Desktops, Laptops, Mobiles, Tablets Screen Backgrounds).
None of the Image should be used for Commercial Purpose.
Kavadsa – Jehangir Art Gallery, Mumbai
From February 7 to 13, 2018, Jehangir Art Gallery in Mumbai presented Kavadsa – renowned photographer Shailan Parker’s enthralling ‘Journey with Light’. ‘Kavadsa’ is the Marathi word for the thin beams of light that enter a room through the gaps in a tiled roof. Kavadsa showcased Parker’s photographic expressions as fine art and shared with the audience his exploration of the medium. Captured in black and white, the photographs allowed viewers to see what the photographer saw, view the world as he did and yet experience it in their own unique ways.
Smithsonian Magazine’s Photo Contest Finalists Announced
The Smithsonian magazine has revealed 60 fi nalists for their 15th annual photo contest. This year, 48,000 entries were sent in from155 countries, amongst which fi ve Indian photographers have been shortlisted. Vikas Datta was selected for his landscape image in the Natural World category; Debashish Mukherjee for capturing a boatman reading a newspaper; Yusuf Chiniwala’s image of Yaks at Pangong lake in the Travel category; Swaroop Singha Roy’s image of a deer stag in the forest in the Altered Images category, and Sirsendu Gayen’s photograph of Gangasagar Mela in the Mobile category.
Photographer Detained for Not Practising ‘Real Journalism’
Kamran Yousuf, a freelance photojournalist in Kashmir, was apprehended in early September 2017, for his alleged involvement with incidents involving stone pelting. On January 18, 2018, he was formally charged with ‘criminal conspiracy’, ‘waging war against the government of India’, committing ‘unlawful activities’ and being a ‘member of a terrorist organisation’. He has been incarcerated since then. The National Investigative Agency, does not have any strong evidence against him, so far, but the chargesheet presented by them in the New Delhi court states that Yousuf is not a ‘real journalist’. Drawing from the ethics of photojournalism, the NIA said that a ‘real journalist’ should cover the government’s development activities such as inaugurations, statement of political party, an iftar party during Ramzan, and skill development programmes for unemployed youth, which is the ‘moral duty’ of a journalist. The NIA scanned through his devices, and they stated.... “Kamran Yusuf had hardly taken any video of such an activity, or any video or image of any such activity can rarely be seen on his laptop or mobile that clearly shows his intentions to only cover activities that are anti-national and earn money against such footages.” Yousuf dropped out of college in 2014, and began working for publications like Greater Kashmir, and Kashmir Uzma, where Photograph of Kamran Yousuf via Facebook he photographed the turmoil of the region.
Liquid Lake Mountain – Talwar Gallery, New Delhi
On February 8, 2018, the Talwar Gallery in New Delhi inaugurated Liquid Lake Mountain – a solo exhibition of new works by artist Alwar Balasubramaniam. The works reflect the shifts in pace and perspective that have accompanied Bala’s recent move from Bengaluru to the countryside in South India. The natural world comes to occupy a central role in all these works – not only as subject matter or even material but also as a kind of collaborator in their creations. On view till May 12, the exhibition portrays a sense of diversity, both in its use of materials and in its interpretations of the concept of transformation.