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World’s Last Male Northern White Rhino Dies
Sudan, the world’s last male northern white rhino, died at OI Pejeta Conservancy in Kenya on 19th of March. He was 45 years old (97 in human equivalent age). A team of veterinarians decided to euthanise him due to his agerelated problems and several infections. He is survived by two female rhinos: his daughter Najin, aged 28, and granddaughter Fatu, aged 17. White rhinos comprise of two subspecies: the northern white rhinos, which are nearly extinct and the southern white rhino. During the 1970s and 1980s, the poaching crisis largely destroyed the northern white rhinos in Uganda, Central African Republic, Sudan and Chad. The poaching crisis was the result of the growing demand for rhino horn in traditional Chinese medicine to cure various ailments and to use them as dagger handles in Yemen. The remaining wild population of last few rhinos were killed in the Democratic Republic of Congo, in the beginning of 2000s, and by 2008, World Wide Fund, the global environment campaign considered the northern white rhinos extinct. To save the species from complete extinction, researchers have pinned their hopes on in-vitro fertilisation (IVF). They intend to use Sudan’s genetic material, and the eggs of the last female rhinos to preserve the subspecies. However, IVF has never been attempted with rhinos before. Better Photography magazine and Panasonic India conducted wildlife masterclasses for winners of Wildlife India Photography Awards, and twenty other participants from 25 June-1 July 2017, in Kenya. During this period, the winners and participants were able to meet Sudan in OI Pejeta Conservancy. A video was also shot featuring Sudan, which stressed on wildlife conservation. The film is title Sudan - Last Male Standing, and is available on Youtube. Having known the team that looked after Sudan so carefully, we offer our condolences from India. “We had the singular honour, to meet and touch the very last living male northern white rhinoceros on the planet. We are the very last generation to see this truly magnificent sub-species alive. We could not help feeling a sense of shame that humans killed them off with poaching, just as we do with so many other species. By being bystanders, our responsibility in all this does not diminish,” said Madhavan Pillai, Editor of Better Photography magazine.
Maganbhai Patel, Known for his Studio Portraits, Passes Away
Maganbhai Patel passed away on 11 February in England. He was 95. He arrived in Coventry, from India, in 1951, and spent his initial years in shared housing, where he mingled with other immigrants. He found work at General Electric, where he was a member of their photographic society. Having already dabbled in photography when he was in India, Patel took photography classes in England. It was during this time that he began receiving assignments to photograph weddings and other events. Eventually, he quit his job to pursue photography full-time. Soon, he opened his own studio, close to home, where he photographed anybody who came in looking to have a portrait made of themselves. These individuals were mostly immigrants like him, hoping to get a passport picture made or to send photographs back home. At 94, his work came into the limelight, when his daughter showcased his work in a local exhibition group. “His work is of huge signifi cance not just for Coventry but the UK because it’s a window into the lives of people as they arrived here and the image they wanted to send home,” says Jason Tilley, curator of Photo Archive Miners.
Asymmetrical Objects – Dr. Bhau Daji Lad Mumbai City Museum
Earlier this year, Dr. Bhau Daji Lad Mumbai City Museum celebrated its 10th anniversary. And in March 2017, the Museum completed 160 years since it was first opened to the public by Lord Canning in 1857. To commemorate both occasions, the museum inaugurated Asymmetrical Objects – an exhibition curated by Tasneem Zakaria Mehta and Himanshu Kadam. With ten celebrated artists exploring the much-debated Age of the Anthropocene and its impact on the environment and the effects, the exhibition invited viewers to form their own conclusions and share them with the Museum in a dialogue through many activities and discussions.
The Air is a Mill of Hooks – Bikaner House, New Delhi
From February 7 to 17, 2018, Vadehra Art Gallery presented a solo exhibition of artist Anju Dodiya’s recent body of works titled The Air is a Mill of Hooks at the Bikaner House in New Delhi. At the exhibition, Dodiya experimented with paintings rendered on shaped mattresses, fabric combines and unbleached cotton. Fraught with psychological perplexity and set to confront viewers with a poised theatricality, with some of the mattresses contoured into blood or teardrops, a sail, or a cross, the works on display simultaneously reminded viewers of the warmth of domestic interiors – making them feel as if they have entered a Renaissance pageant that has been interrupted by a torture scene.