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Photographer Detained for Not Practising ‘Real Journalism’
Kamran Yousuf, a freelance photojournalist in Kashmir, was apprehended in early September 2017, for his alleged involvement with incidents involving stone pelting. On January 18, 2018, he was formally charged with ‘criminal conspiracy’, ‘waging war against the government of India’, committing ‘unlawful activities’ and being a ‘member of a terrorist organisation’. He has been incarcerated since then. The National Investigative Agency, does not have any strong evidence against him, so far, but the chargesheet presented by them in the New Delhi court states that Yousuf is not a ‘real journalist’. Drawing from the ethics of photojournalism, the NIA said that a ‘real journalist’ should cover the government’s development activities such as inaugurations, statement of political party, an iftar party during Ramzan, and skill development programmes for unemployed youth, which is the ‘moral duty’ of a journalist. The NIA scanned through his devices, and they stated.... “Kamran Yusuf had hardly taken any video of such an activity, or any video or image of any such activity can rarely be seen on his laptop or mobile that clearly shows his intentions to only cover activities that are anti-national and earn money against such footages.” Yousuf dropped out of college in 2014, and began working for publications like Greater Kashmir, and Kashmir Uzma, where Photograph of Kamran Yousuf via Facebook he photographed the turmoil of the region.
Lettres du Voyant: Joseph Beuys x Nam June Paik – HOW Art Museum, Shanghai
After a two-year preparation, the HOW Art Museum in Shanghai recently inaugurated its exhibition of the year – Lettres du Voyant: Joseph Beuys x Nam June Paik. Curated by Dr. Gregor Jansen and Kim Nam Soo, the exhibition presents the representative works by German artist Joseph Beuys (1921–1986) and Korean-American artist Nam June Paik (1932– 2006), chronicling their artistic careers, and further discussing the cooperation and close relationship between these two avant-garde artists throughout the 20th century. On view till May 13, Lettres du Voyant is also the first institutional joint exhibition of the two artists who left a generous legacy through their respective works.
Asymmetrical Objects – Dr. Bhau Daji Lad Mumbai City Museum
Earlier this year, Dr. Bhau Daji Lad Mumbai City Museum celebrated its 10th anniversary. And in March 2017, the Museum completed 160 years since it was first opened to the public by Lord Canning in 1857. To commemorate both occasions, the museum inaugurated Asymmetrical Objects – an exhibition curated by Tasneem Zakaria Mehta and Himanshu Kadam. With ten celebrated artists exploring the much-debated Age of the Anthropocene and its impact on the environment and the effects, the exhibition invited viewers to form their own conclusions and share them with the Museum in a dialogue through many activities and discussions.
Smithsonian Magazine’s Photo Contest Finalists Announced
The Smithsonian magazine has revealed 60 fi nalists for their 15th annual photo contest. This year, 48,000 entries were sent in from155 countries, amongst which fi ve Indian photographers have been shortlisted. Vikas Datta was selected for his landscape image in the Natural World category; Debashish Mukherjee for capturing a boatman reading a newspaper; Yusuf Chiniwala’s image of Yaks at Pangong lake in the Travel category; Swaroop Singha Roy’s image of a deer stag in the forest in the Altered Images category, and Sirsendu Gayen’s photograph of Gangasagar Mela in the Mobile category.