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Photographer Detained for Not Practising ‘Real Journalism’
Kamran Yousuf, a freelance photojournalist in Kashmir, was apprehended in early September 2017, for his alleged involvement with incidents involving stone pelting. On January 18, 2018, he was formally charged with ‘criminal conspiracy’, ‘waging war against the government of India’, committing ‘unlawful activities’ and being a ‘member of a terrorist organisation’. He has been incarcerated since then. The National Investigative Agency, does not have any strong evidence against him, so far, but the chargesheet presented by them in the New Delhi court states that Yousuf is not a ‘real journalist’. Drawing from the ethics of photojournalism, the NIA said that a ‘real journalist’ should cover the government’s development activities such as inaugurations, statement of political party, an iftar party during Ramzan, and skill development programmes for unemployed youth, which is the ‘moral duty’ of a journalist. The NIA scanned through his devices, and they stated.... “Kamran Yusuf had hardly taken any video of such an activity, or any video or image of any such activity can rarely be seen on his laptop or mobile that clearly shows his intentions to only cover activities that are anti-national and earn money against such footages.” Yousuf dropped out of college in 2014, and began working for publications like Greater Kashmir, and Kashmir Uzma, where Photograph of Kamran Yousuf via Facebook he photographed the turmoil of the region.
Asymmetrical Objects – Dr. Bhau Daji Lad Mumbai City Museum
Earlier this year, Dr. Bhau Daji Lad Mumbai City Museum celebrated its 10th anniversary. And in March 2017, the Museum completed 160 years since it was first opened to the public by Lord Canning in 1857. To commemorate both occasions, the museum inaugurated Asymmetrical Objects – an exhibition curated by Tasneem Zakaria Mehta and Himanshu Kadam. With ten celebrated artists exploring the much-debated Age of the Anthropocene and its impact on the environment and the effects, the exhibition invited viewers to form their own conclusions and share them with the Museum in a dialogue through many activities and discussions.
Rohan Shrestha Launches A Photography School
LEAP India Institue, an academy that is backed by the India Steel group, launched make-up school Make-up Designory (MUD) in India. The institution will start a course on photography, in collaboration with India’s fashion photographer, Rohan Shrestha. The School Of Photography offers an introductory two week course on fashion photography, which will eventually expand. As for the faculty, along with Shrestha, professionals from the industry will be invited as guest lecturers. The curriculum is designed to give students hands on experience of various fashion shoot proccesses such as pre– production, lighting, model direction, art direction, business, and marketing. Furthermore, students will get a chance to work with professional models, make-up artists, and stylists. “Our main objective is to lend the students a guiding hand. It’s easy to get technical knowledge of photography on the internet today. This course is more about understanding how the industry functions, and developing your own brand as a photographer,” says Shrestha.
1 + 1 = 1 Million – Vito Schnabel Gallery, St. Moritz
From February 15 to March 11, 2018, Vito Schnabel Gallery presented 1 + 1 = 1 Million, an exhibition curated by artist Tom Sachs to spotlight American conceptual artist Sol LeWitt’s significant works. Through a largescale wall drawing from 1978 and 19 luminous framed works on paper beginning from the 1970s, Sachs drew visitors into LeWitt’s careerlong exploration of authorship and the means by which it can be defined. The exhibition focused on three of the thirty-five statements from LeWitt’s 1969 Sentences on Conceptual Art, highlighting the ineffably poetic outcome of pursuing these ideas to their logical extreme.