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Fujifi lm Launches the X-H1, its Latest Hybrid Flagship
The Fujifi lm X-H1 is the newest edition to the company’s popular X-series line-up. It features a 24MP X Trans sensor that is identical to the X-T2. It features 5-axis in-body image stabilisation (rated at 5EV), a 3.69M-dot OLED viewfi nder, a 3-inch touch sensitive rear LCD with two-axis tilt, and an ISO range of 200-12,800 (can be extended to 100-51,200). Regardless of the similar sensor and processor, Fujifi lm claims the camera displays enhanced video performance, and a better AF system, which can focus in low light conditions and with smaller apertures. X-H1 is the fi rst camera in the X-series to include the ETERNA fi lm simulation mode for shooting movies. It can shoot UHD 4K at up to 30p, DCI 4K capture at 23.97p and 24p, and can record F-Log footage internally. The enhanced compression option allows one to record video at up to 200 Mbps. Fujifi lm has also introduced a Movie Silent Control mode, that allows to switch between video and photography.
Maganbhai Patel, Known for his Studio Portraits, Passes Away
Maganbhai Patel passed away on 11 February in England. He was 95. He arrived in Coventry, from India, in 1951, and spent his initial years in shared housing, where he mingled with other immigrants. He found work at General Electric, where he was a member of their photographic society. Having already dabbled in photography when he was in India, Patel took photography classes in England. It was during this time that he began receiving assignments to photograph weddings and other events. Eventually, he quit his job to pursue photography full-time. Soon, he opened his own studio, close to home, where he photographed anybody who came in looking to have a portrait made of themselves. These individuals were mostly immigrants like him, hoping to get a passport picture made or to send photographs back home. At 94, his work came into the limelight, when his daughter showcased his work in a local exhibition group. “His work is of huge signifi cance not just for Coventry but the UK because it’s a window into the lives of people as they arrived here and the image they wanted to send home,” says Jason Tilley, curator of Photo Archive Miners.
Rohan Shrestha Launches A Photography School
LEAP India Institue, an academy that is backed by the India Steel group, launched make-up school Make-up Designory (MUD) in India. The institution will start a course on photography, in collaboration with India’s fashion photographer, Rohan Shrestha. The School Of Photography offers an introductory two week course on fashion photography, which will eventually expand. As for the faculty, along with Shrestha, professionals from the industry will be invited as guest lecturers. The curriculum is designed to give students hands on experience of various fashion shoot proccesses such as pre– production, lighting, model direction, art direction, business, and marketing. Furthermore, students will get a chance to work with professional models, make-up artists, and stylists. “Our main objective is to lend the students a guiding hand. It’s easy to get technical knowledge of photography on the internet today. This course is more about understanding how the industry functions, and developing your own brand as a photographer,” says Shrestha.
Sculpting in Time – National Gallery of Modern Art, Bengaluru
This February, The National Gallery of Modern Art Bengaluru, together with the Ministry of Culture, presented Sculpting in Time – an exhibition curated by Sadanand Menon that showcased six decades of Balan Nambiar’s artistic journey. Comprising various works – from drawings in conte, Indian ink, charcoal, pastels, watercolour and oils to jewellery, enamel paintings on silver and copper and sculptures, the exhibition had also displayed a selection of the artist’s photographs documenting Teyyam, Bhuta and other ritual art forms. Lectures, panel discussions, music programmes, film screenings and gallery walks were also scheduled during the month-long exhibition.