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1 + 1 = 1 Million – Vito Schnabel Gallery, St. Moritz
From February 15 to March 11, 2018, Vito Schnabel Gallery presented 1 + 1 = 1 Million, an exhibition curated by artist Tom Sachs to spotlight American conceptual artist Sol LeWitt’s significant works. Through a largescale wall drawing from 1978 and 19 luminous framed works on paper beginning from the 1970s, Sachs drew visitors into LeWitt’s careerlong exploration of authorship and the means by which it can be defined. The exhibition focused on three of the thirty-five statements from LeWitt’s 1969 Sentences on Conceptual Art, highlighting the ineffably poetic outcome of pursuing these ideas to their logical extreme.
Liquid Lake Mountain – Talwar Gallery, New Delhi
On February 8, 2018, the Talwar Gallery in New Delhi inaugurated Liquid Lake Mountain – a solo exhibition of new works by artist Alwar Balasubramaniam. The works reflect the shifts in pace and perspective that have accompanied Bala’s recent move from Bengaluru to the countryside in South India. The natural world comes to occupy a central role in all these works – not only as subject matter or even material but also as a kind of collaborator in their creations. On view till May 12, the exhibition portrays a sense of diversity, both in its use of materials and in its interpretations of the concept of transformation.
Photographer Detained for Not Practising ‘Real Journalism’
Kamran Yousuf, a freelance photojournalist in Kashmir, was apprehended in early September 2017, for his alleged involvement with incidents involving stone pelting. On January 18, 2018, he was formally charged with ‘criminal conspiracy’, ‘waging war against the government of India’, committing ‘unlawful activities’ and being a ‘member of a terrorist organisation’. He has been incarcerated since then. The National Investigative Agency, does not have any strong evidence against him, so far, but the chargesheet presented by them in the New Delhi court states that Yousuf is not a ‘real journalist’. Drawing from the ethics of photojournalism, the NIA said that a ‘real journalist’ should cover the government’s development activities such as inaugurations, statement of political party, an iftar party during Ramzan, and skill development programmes for unemployed youth, which is the ‘moral duty’ of a journalist. The NIA scanned through his devices, and they stated.... “Kamran Yusuf had hardly taken any video of such an activity, or any video or image of any such activity can rarely be seen on his laptop or mobile that clearly shows his intentions to only cover activities that are anti-national and earn money against such footages.” Yousuf dropped out of college in 2014, and began working for publications like Greater Kashmir, and Kashmir Uzma, where Photograph of Kamran Yousuf via Facebook he photographed the turmoil of the region.
Lettres du Voyant: Joseph Beuys x Nam June Paik – HOW Art Museum, Shanghai
After a two-year preparation, the HOW Art Museum in Shanghai recently inaugurated its exhibition of the year – Lettres du Voyant: Joseph Beuys x Nam June Paik. Curated by Dr. Gregor Jansen and Kim Nam Soo, the exhibition presents the representative works by German artist Joseph Beuys (1921–1986) and Korean-American artist Nam June Paik (1932– 2006), chronicling their artistic careers, and further discussing the cooperation and close relationship between these two avant-garde artists throughout the 20th century. On view till May 13, Lettres du Voyant is also the first institutional joint exhibition of the two artists who left a generous legacy through their respective works.