Full-hd-cars-wallpapers - image #23
Your screen resolution:Original Image Size: 1920x1080 px
File Type: .jpg
Category: Full-hd-cars-wallpapers Information for Downloading:
With this tool, you can convert the image to the most suitable resolution for you
Views: 2 | Download:0
Direct HTML Link
Preview / HTML
Forum | Blogs | BBCode
Please Pay Attention
All the Images, Wallpapers, Backgrounds, Pictures, Graphics, Arts are Copyrighted to The Respective Creators, Designers and Authors.
We Don't Intend to Showcase Copyright Images, Pictures, Graphics, Arts.
The Wallpapers, Arts, Graphics available on our website are for Personal Use Only (For Desktops, Laptops, Mobiles, Tablets Screen Backgrounds).
None of the Image should be used for Commercial Purpose.
Canon Reveals New Entry-Level DSLRs
Canon has introduced three new cameras in its popular line of entry-level DSLRs-Canon EOS M50, Canon EOS 1500D, and Canon EOS 3000D. The Canon EOS M50 is a mirrorless camera, and the first in the company’s M-series to provide 4K video at 24p. It has a 24MP APS-C sensor, and a DIGIC 8 processor. It features an in-built 2.36M dot OLED electronic viewfinder, a 3-inch touchscreen, and dual pixel autofocus. The camera has an ISO range of 100-25600, which can be expanded to 51,200. It can also record 1080 HD video at 120p, and supports MPEG-4 and H.264 formats. The Canon EOS M50 uses the new CR3 Raw format. It shoot up to 10 fps, and 7.4fps in C-AF. The Canon EOS 1500D features a 24MP APS-C-size sensor, whereas Canon EOS 3000D has an 18MP APS-C sensor. Both the cameras feature an optical viewfinder, DIGIC 4+ image processors, and an ISO range of 100-6400, which can be expanded to 12,800. Canon 2000D and 4000D have a 9-point AF system with a cross-type sensor, and can record full HD videos at 30p or 24p. They also offer 3p fps burst shooting. However, both cameras feature different sizes of LCD. The Canon 1500D has a 3-inch LCD, and the Canon 3000D sports a 2.7-inch LCD.
Ecole Intuit Lab Will Introduce Photography Courses
The Ecole Intuit Lab (EIL), a French institute of graphic design and visual communication, has introduced two new photography courses—A part-time course (starting from March 2018), and a full-time one year diploma (starting from July 2018). The aim of the course is to train budding photographers who wish to hone their skills and pursue photography professionally. The faculty is comprised of names like Jeroo Mulla, Chirodeep Chaudhuri, Srinivas Kuruganti, P Madhavan, Anurag Banerjee, and Kunal Kampani. The course will also offer insights on topics like graphic design, lettering and typography, branding, and semiotics, for better future collaborations with designers. “Although the main curriculum is tightly put together, the classes aren’t textbook based. This follows a philosophy of education through work-like situations, in order to allow more in-class flexibility, as well as to prepare students for the real world,” says Matthieu Foss, Director of the photography programme at EIL.
New Delhi Police Manhandles Photojournalist
Anushree Fadnavis, a photojournalist with Hindustan Times, was physically assaulted by the Delhi police along with two other reporters, while covering a march by Jawaharlal Nehru University (JNU) students and teachers to Parliament to urge to meet several demands including academic freedom on March 23. The police tried to stop the march near the Safdarjung flyover with a lathi charge, and used water cannons on the marchers, as well as the journalists. After ceasing the use of water cannons, Vidyadhar Singh, Delhi Cantonment station house officer, attacked the journalists in the service lane of Brigadier Hoshiar Singh Marg. Fadnavis was photographing a student being kicked on the ground when female officers converged on her and snatched away her camera. A video capturing the struggle was uploaded online, after which the police apologised. They also suspended a woman constable and a male head constable. It has been noted by many that the police’s aggressiveness towards journalists has increased in recent times.
1 + 1 = 1 Million – Vito Schnabel Gallery, St. Moritz
From February 15 to March 11, 2018, Vito Schnabel Gallery presented 1 + 1 = 1 Million, an exhibition curated by artist Tom Sachs to spotlight American conceptual artist Sol LeWitt’s significant works. Through a largescale wall drawing from 1978 and 19 luminous framed works on paper beginning from the 1970s, Sachs drew visitors into LeWitt’s careerlong exploration of authorship and the means by which it can be defined. The exhibition focused on three of the thirty-five statements from LeWitt’s 1969 Sentences on Conceptual Art, highlighting the ineffably poetic outcome of pursuing these ideas to their logical extreme.