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Photographer Detained for Not Practising ‘Real Journalism’
Kamran Yousuf, a freelance photojournalist in Kashmir, was apprehended in early September 2017, for his alleged involvement with incidents involving stone pelting. On January 18, 2018, he was formally charged with ‘criminal conspiracy’, ‘waging war against the government of India’, committing ‘unlawful activities’ and being a ‘member of a terrorist organisation’. He has been incarcerated since then. The National Investigative Agency, does not have any strong evidence against him, so far, but the chargesheet presented by them in the New Delhi court states that Yousuf is not a ‘real journalist’. Drawing from the ethics of photojournalism, the NIA said that a ‘real journalist’ should cover the government’s development activities such as inaugurations, statement of political party, an iftar party during Ramzan, and skill development programmes for unemployed youth, which is the ‘moral duty’ of a journalist. The NIA scanned through his devices, and they stated.... “Kamran Yusuf had hardly taken any video of such an activity, or any video or image of any such activity can rarely be seen on his laptop or mobile that clearly shows his intentions to only cover activities that are anti-national and earn money against such footages.” Yousuf dropped out of college in 2014, and began working for publications like Greater Kashmir, and Kashmir Uzma, where Photograph of Kamran Yousuf via Facebook he photographed the turmoil of the region.
Sculpting in Time – National Gallery of Modern Art, Bengaluru
This February, The National Gallery of Modern Art Bengaluru, together with the Ministry of Culture, presented Sculpting in Time – an exhibition curated by Sadanand Menon that showcased six decades of Balan Nambiar’s artistic journey. Comprising various works – from drawings in conte, Indian ink, charcoal, pastels, watercolour and oils to jewellery, enamel paintings on silver and copper and sculptures, the exhibition had also displayed a selection of the artist’s photographs documenting Teyyam, Bhuta and other ritual art forms. Lectures, panel discussions, music programmes, film screenings and gallery walks were also scheduled during the month-long exhibition.
Rohan Shrestha Launches A Photography School
LEAP India Institue, an academy that is backed by the India Steel group, launched make-up school Make-up Designory (MUD) in India. The institution will start a course on photography, in collaboration with India’s fashion photographer, Rohan Shrestha. The School Of Photography offers an introductory two week course on fashion photography, which will eventually expand. As for the faculty, along with Shrestha, professionals from the industry will be invited as guest lecturers. The curriculum is designed to give students hands on experience of various fashion shoot proccesses such as pre– production, lighting, model direction, art direction, business, and marketing. Furthermore, students will get a chance to work with professional models, make-up artists, and stylists. “Our main objective is to lend the students a guiding hand. It’s easy to get technical knowledge of photography on the internet today. This course is more about understanding how the industry functions, and developing your own brand as a photographer,” says Shrestha.
Museo Camera Needs To Raise Rs. 1.5 Crore
Museo Camera is India’s first vintage camera museum located at India Photo Archive’s headquarters in Gurugram. It showcases antique analogue cameras, and other photographic equipment dating back to the 19th century. The collection is owned and curated by photographer and visual historian, Aditya Arya. The government of Haryana, through the Municipal Corporation of Gurugram (MCG) has decided to build an 18,000 sq. ft. museum to exhibit Arya’s vast collection. They have leased 0.75 acres land in Chakkarpur, Gurugram. Museo Camera: A Centre for the Photographic Arts will have exhibition spaces for 200 visitors, along with scientifically controlled environments for the preservation of artifacts, equipment, negatives, and others. However, the museum needs to raise Rs. 1.5 crore, through contributions. Arya aims to make Museo Camera India’s first crowd funded museum. The contributors will also have their names featured on the wall of the museum, along with other privilages. To contribute, please