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New Delhi Police Manhandles Photojournalist
Anushree Fadnavis, a photojournalist with Hindustan Times, was physically assaulted by the Delhi police along with two other reporters, while covering a march by Jawaharlal Nehru University (JNU) students and teachers to Parliament to urge to meet several demands including academic freedom on March 23. The police tried to stop the march near the Safdarjung flyover with a lathi charge, and used water cannons on the marchers, as well as the journalists. After ceasing the use of water cannons, Vidyadhar Singh, Delhi Cantonment station house officer, attacked the journalists in the service lane of Brigadier Hoshiar Singh Marg. Fadnavis was photographing a student being kicked on the ground when female officers converged on her and snatched away her camera. A video capturing the struggle was uploaded online, after which the police apologised. They also suspended a woman constable and a male head constable. It has been noted by many that the police’s aggressiveness towards journalists has increased in recent times.
SC Suggests To Revamp Crime Scene Photography
The Supreme Court of India has asked the government to consider the use of digital cameras with GPS and time stamp systems for crime scene photography on the recommendation of policemen. The court has requested the government to consider if states could create portals to upload images to note the time and reference number. Judges Adarsh Goel and U U Lalit, heard the submission of senior advocate and amicus curiae Arun Mohan, who suggested that the Bureau of Police Research and Development (BPR&D) can issue a manual. Mohan recommended that the digital cameras were on sale in the market for Rs 8000 each but the final specifications could be laid down by the BPR&D. Furthermore, he suggested,“The BPR&D may also prepare crime scene photography manual in English and regional languages,” and money can be used from unutilised funds. The judges added that the government should think about using this technology in every district headquarters, and eventually move to rural areas.
Lettres du Voyant: Joseph Beuys x Nam June Paik – HOW Art Museum, Shanghai
After a two-year preparation, the HOW Art Museum in Shanghai recently inaugurated its exhibition of the year – Lettres du Voyant: Joseph Beuys x Nam June Paik. Curated by Dr. Gregor Jansen and Kim Nam Soo, the exhibition presents the representative works by German artist Joseph Beuys (1921–1986) and Korean-American artist Nam June Paik (1932– 2006), chronicling their artistic careers, and further discussing the cooperation and close relationship between these two avant-garde artists throughout the 20th century. On view till May 13, Lettres du Voyant is also the first institutional joint exhibition of the two artists who left a generous legacy through their respective works.
Liquid Lake Mountain – Talwar Gallery, New Delhi
On February 8, 2018, the Talwar Gallery in New Delhi inaugurated Liquid Lake Mountain – a solo exhibition of new works by artist Alwar Balasubramaniam. The works reflect the shifts in pace and perspective that have accompanied Bala’s recent move from Bengaluru to the countryside in South India. The natural world comes to occupy a central role in all these works – not only as subject matter or even material but also as a kind of collaborator in their creations. On view till May 12, the exhibition portrays a sense of diversity, both in its use of materials and in its interpretations of the concept of transformation.