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World’s Last Male Northern White Rhino Dies
Sudan, the world’s last male northern white rhino, died at OI Pejeta Conservancy in Kenya on 19th of March. He was 45 years old (97 in human equivalent age). A team of veterinarians decided to euthanise him due to his agerelated problems and several infections. He is survived by two female rhinos: his daughter Najin, aged 28, and granddaughter Fatu, aged 17. White rhinos comprise of two subspecies: the northern white rhinos, which are nearly extinct and the southern white rhino. During the 1970s and 1980s, the poaching crisis largely destroyed the northern white rhinos in Uganda, Central African Republic, Sudan and Chad. The poaching crisis was the result of the growing demand for rhino horn in traditional Chinese medicine to cure various ailments and to use them as dagger handles in Yemen. The remaining wild population of last few rhinos were killed in the Democratic Republic of Congo, in the beginning of 2000s, and by 2008, World Wide Fund, the global environment campaign considered the northern white rhinos extinct. To save the species from complete extinction, researchers have pinned their hopes on in-vitro fertilisation (IVF). They intend to use Sudan’s genetic material, and the eggs of the last female rhinos to preserve the subspecies. However, IVF has never been attempted with rhinos before. Better Photography magazine and Panasonic India conducted wildlife masterclasses for winners of Wildlife India Photography Awards, and twenty other participants from 25 June-1 July 2017, in Kenya. During this period, the winners and participants were able to meet Sudan in OI Pejeta Conservancy. A video was also shot featuring Sudan, which stressed on wildlife conservation. The film is title Sudan - Last Male Standing, and is available on Youtube. Having known the team that looked after Sudan so carefully, we offer our condolences from India. “We had the singular honour, to meet and touch the very last living male northern white rhinoceros on the planet. We are the very last generation to see this truly magnificent sub-species alive. We could not help feeling a sense of shame that humans killed them off with poaching, just as we do with so many other species. By being bystanders, our responsibility in all this does not diminish,” said Madhavan Pillai, Editor of Better Photography magazine.
HIPA Announces the Winners of 2018 Competition
The Hamdan International Photography Award (HIPA) has concluded its seventh season of competition ‘The Moment’. The award ceremony was held at Dubai Opera on March 12. The grand prize winner of the competition is Mohamed Alragheb’s picture of Spring in Aleppo, Syria. Winner of the Time-lapse video category is Beno Saradzic for Elysium, Slovenia. The Portfolio category winner is Paul Nicklen for A Harsh Melt, Canada. The General Category has been subdivided into two parts: Black and White, and Color. The winner of the Black and White category is Mahdi Pourebadi for capturing Duelling with Nature, Iran; and the winner of the Colour category is Zuhe Ding’s image of The Dream Express, China. Furthermore, photojournalist James Nachtwey received the Photography Appreciation Award, fellow photographer and environmental activist James Balog was presented with the Photography Content Creator Award, and photographer Muhammed Muheisen received the Emerging Person in Photography Award. HIPA has also revealed the theme for its eighth season–Hope.
Kavadsa – Jehangir Art Gallery, Mumbai
From February 7 to 13, 2018, Jehangir Art Gallery in Mumbai presented Kavadsa – renowned photographer Shailan Parker’s enthralling ‘Journey with Light’. ‘Kavadsa’ is the Marathi word for the thin beams of light that enter a room through the gaps in a tiled roof. Kavadsa showcased Parker’s photographic expressions as fine art and shared with the audience his exploration of the medium. Captured in black and white, the photographs allowed viewers to see what the photographer saw, view the world as he did and yet experience it in their own unique ways.
Sculpting in Time – National Gallery of Modern Art, Bengaluru
This February, The National Gallery of Modern Art Bengaluru, together with the Ministry of Culture, presented Sculpting in Time – an exhibition curated by Sadanand Menon that showcased six decades of Balan Nambiar’s artistic journey. Comprising various works – from drawings in conte, Indian ink, charcoal, pastels, watercolour and oils to jewellery, enamel paintings on silver and copper and sculptures, the exhibition had also displayed a selection of the artist’s photographs documenting Teyyam, Bhuta and other ritual art forms. Lectures, panel discussions, music programmes, film screenings and gallery walks were also scheduled during the month-long exhibition.