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Fujifi lm Launches the X-H1, its Latest Hybrid Flagship
The Fujifi lm X-H1 is the newest edition to the company’s popular X-series line-up. It features a 24MP X Trans sensor that is identical to the X-T2. It features 5-axis in-body image stabilisation (rated at 5EV), a 3.69M-dot OLED viewfi nder, a 3-inch touch sensitive rear LCD with two-axis tilt, and an ISO range of 200-12,800 (can be extended to 100-51,200). Regardless of the similar sensor and processor, Fujifi lm claims the camera displays enhanced video performance, and a better AF system, which can focus in low light conditions and with smaller apertures. X-H1 is the fi rst camera in the X-series to include the ETERNA fi lm simulation mode for shooting movies. It can shoot UHD 4K at up to 30p, DCI 4K capture at 23.97p and 24p, and can record F-Log footage internally. The enhanced compression option allows one to record video at up to 200 Mbps. Fujifi lm has also introduced a Movie Silent Control mode, that allows to switch between video and photography.
I wish to let you fall out of my hands – Experimenter, Kolkata
On January 30, 2018, Experimenter in Gariahat, Kolkata, opened I wish to let you fall out of my hands (Chapter I), showcasing works created by artists Bani Abidi and Naeem Mohaiemen. The exhibition marked the first chapter in a two-chapter exhibition, the second of which inaugurated Experimenter’s second space at Ballygunge Place, Kolkata, on February 21, 2018. The works on view at the exhibitions used film and photography to explore the complexity of human relationships and the spaces they occupy – whether transitory, aspirational, imaginary or reclaimed. The twopart exhibition also included a series of lecture performances, workshops and discussions.
Photojournalist Max Desfor Dies at 104
Max Desfor, a former Associated Press (AP) photographer, the ex-photo editor of US News & World Report, passed away on 19 February in Maryland, USA, due to complications from a stroke. He was 104 years old. Desfor began his career as a messenger and darkroom assistant with AP, in 1933. In June 1950, he volunteered to report on the Korean War, when the North invaded the South. He was awarded the Pulitzer prize for his photograph that showed of hundreds of Korean war refugees, crossing the destroyed Taedong river bridge, as they looked for security from Chinese troops (1950). Later, during World War II, in August 1945, he photographed the bomber Enola Gay, after the B-29 arrived in Tinian. In an Instagram post following his death, fellow photojournalist David Hume Kennerly, had this to say about Desfor... “Max was a photographer’s photographer: Brave. Intrepid. A brilliant newsman. He had a great run.”
Sculpting in Time – National Gallery of Modern Art, Bengaluru
This February, The National Gallery of Modern Art Bengaluru, together with the Ministry of Culture, presented Sculpting in Time – an exhibition curated by Sadanand Menon that showcased six decades of Balan Nambiar’s artistic journey. Comprising various works – from drawings in conte, Indian ink, charcoal, pastels, watercolour and oils to jewellery, enamel paintings on silver and copper and sculptures, the exhibition had also displayed a selection of the artist’s photographs documenting Teyyam, Bhuta and other ritual art forms. Lectures, panel discussions, music programmes, film screenings and gallery walks were also scheduled during the month-long exhibition.