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Fujifi lm Launches the X-H1, its Latest Hybrid Flagship
The Fujifi lm X-H1 is the newest edition to the company’s popular X-series line-up. It features a 24MP X Trans sensor that is identical to the X-T2. It features 5-axis in-body image stabilisation (rated at 5EV), a 3.69M-dot OLED viewfi nder, a 3-inch touch sensitive rear LCD with two-axis tilt, and an ISO range of 200-12,800 (can be extended to 100-51,200). Regardless of the similar sensor and processor, Fujifi lm claims the camera displays enhanced video performance, and a better AF system, which can focus in low light conditions and with smaller apertures. X-H1 is the fi rst camera in the X-series to include the ETERNA fi lm simulation mode for shooting movies. It can shoot UHD 4K at up to 30p, DCI 4K capture at 23.97p and 24p, and can record F-Log footage internally. The enhanced compression option allows one to record video at up to 200 Mbps. Fujifi lm has also introduced a Movie Silent Control mode, that allows to switch between video and photography.
Kavadsa – Jehangir Art Gallery, Mumbai
From February 7 to 13, 2018, Jehangir Art Gallery in Mumbai presented Kavadsa – renowned photographer Shailan Parker’s enthralling ‘Journey with Light’. ‘Kavadsa’ is the Marathi word for the thin beams of light that enter a room through the gaps in a tiled roof. Kavadsa showcased Parker’s photographic expressions as fine art and shared with the audience his exploration of the medium. Captured in black and white, the photographs allowed viewers to see what the photographer saw, view the world as he did and yet experience it in their own unique ways.
SC Suggests To Revamp Crime Scene Photography
The Supreme Court of India has asked the government to consider the use of digital cameras with GPS and time stamp systems for crime scene photography on the recommendation of policemen. The court has requested the government to consider if states could create portals to upload images to note the time and reference number. Judges Adarsh Goel and U U Lalit, heard the submission of senior advocate and amicus curiae Arun Mohan, who suggested that the Bureau of Police Research and Development (BPR&D) can issue a manual. Mohan recommended that the digital cameras were on sale in the market for Rs 8000 each but the final specifications could be laid down by the BPR&D. Furthermore, he suggested,“The BPR&D may also prepare crime scene photography manual in English and regional languages,” and money can be used from unutilised funds. The judges added that the government should think about using this technology in every district headquarters, and eventually move to rural areas.
New Delhi Police Manhandles Photojournalist
Anushree Fadnavis, a photojournalist with Hindustan Times, was physically assaulted by the Delhi police along with two other reporters, while covering a march by Jawaharlal Nehru University (JNU) students and teachers to Parliament to urge to meet several demands including academic freedom on March 23. The police tried to stop the march near the Safdarjung flyover with a lathi charge, and used water cannons on the marchers, as well as the journalists. After ceasing the use of water cannons, Vidyadhar Singh, Delhi Cantonment station house officer, attacked the journalists in the service lane of Brigadier Hoshiar Singh Marg. Fadnavis was photographing a student being kicked on the ground when female officers converged on her and snatched away her camera. A video capturing the struggle was uploaded online, after which the police apologised. They also suspended a woman constable and a male head constable. It has been noted by many that the police’s aggressiveness towards journalists has increased in recent times.