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HIPA Announces the Winners of 2018 Competition
The Hamdan International Photography Award (HIPA) has concluded its seventh season of competition ‘The Moment’. The award ceremony was held at Dubai Opera on March 12. The grand prize winner of the competition is Mohamed Alragheb’s picture of Spring in Aleppo, Syria. Winner of the Time-lapse video category is Beno Saradzic for Elysium, Slovenia. The Portfolio category winner is Paul Nicklen for A Harsh Melt, Canada. The General Category has been subdivided into two parts: Black and White, and Color. The winner of the Black and White category is Mahdi Pourebadi for capturing Duelling with Nature, Iran; and the winner of the Colour category is Zuhe Ding’s image of The Dream Express, China. Furthermore, photojournalist James Nachtwey received the Photography Appreciation Award, fellow photographer and environmental activist James Balog was presented with the Photography Content Creator Award, and photographer Muhammed Muheisen received the Emerging Person in Photography Award. HIPA has also revealed the theme for its eighth season–Hope.
Sony World Photography Awards Winners Revealed
Sony World Photography Awards 2018 has declared the national and open category winners. The competition, in its 11th edition, received 320,000 entries from 200 countries. The Open category winners were selected by the jury. The winners of the 10 categories are Richard Frishman from the United States for Still Life; Nick Dolding from the United Kingdom for Portraiture; Veselin Atanasov from Bulgaria for Landscape & Nature; Mikkel Beiter from Denmark for Travel; Klaus Lenzen from Germany for Enhanced; Manuel Armenis from Germany for Street Photography; Andreas Pohl from Germany for Architecture; Panos Skordas from Greece for Culture; Fajar Kristianto from Indonesia for Motion; and Justyna Zdunczyk from Poland for Wildlife. The National Award recognises the single images submitted by local photographers from various countries. Swapnil Deshpande, who won the India National Award, is one of the 60 National Award winners. The overall and Professional category winners will be announced on April 19.
Photographer Detained for Not Practising ‘Real Journalism’
Kamran Yousuf, a freelance photojournalist in Kashmir, was apprehended in early September 2017, for his alleged involvement with incidents involving stone pelting. On January 18, 2018, he was formally charged with ‘criminal conspiracy’, ‘waging war against the government of India’, committing ‘unlawful activities’ and being a ‘member of a terrorist organisation’. He has been incarcerated since then. The National Investigative Agency, does not have any strong evidence against him, so far, but the chargesheet presented by them in the New Delhi court states that Yousuf is not a ‘real journalist’. Drawing from the ethics of photojournalism, the NIA said that a ‘real journalist’ should cover the government’s development activities such as inaugurations, statement of political party, an iftar party during Ramzan, and skill development programmes for unemployed youth, which is the ‘moral duty’ of a journalist. The NIA scanned through his devices, and they stated.... “Kamran Yusuf had hardly taken any video of such an activity, or any video or image of any such activity can rarely be seen on his laptop or mobile that clearly shows his intentions to only cover activities that are anti-national and earn money against such footages.” Yousuf dropped out of college in 2014, and began working for publications like Greater Kashmir, and Kashmir Uzma, where Photograph of Kamran Yousuf via Facebook he photographed the turmoil of the region.
I wish to let you fall out of my hands – Experimenter, Kolkata
On January 30, 2018, Experimenter in Gariahat, Kolkata, opened I wish to let you fall out of my hands (Chapter I), showcasing works created by artists Bani Abidi and Naeem Mohaiemen. The exhibition marked the first chapter in a two-chapter exhibition, the second of which inaugurated Experimenter’s second space at Ballygunge Place, Kolkata, on February 21, 2018. The works on view at the exhibitions used film and photography to explore the complexity of human relationships and the spaces they occupy – whether transitory, aspirational, imaginary or reclaimed. The twopart exhibition also included a series of lecture performances, workshops and discussions.