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BenQ Launches Two New Monitors
BenQ has launched two new monitors in its popular line of SW and E series. The SW240 is a 24.1-inch monitor supported by AQ colour technology, especially designed for photographers. It features a 99% Adobe RGB and 100% sRGB colour gamut, and a 14-bit 3D LUT. SW240 has 16:10 ratio, a10-bit color display, Delta E ≤ 2, and hardware calibration. It also has two modes: Advanced Black and White Mode, and Color Mode HotKey. BenQ’s EW277HDR is a 27-inch full HD monitor with brightness intelligence plus technology, a 3000:1 ultra-high native contrast, 93% DCI-P3 colour gamut, and a 16:9 ratio.
Canon Reveals New Entry-Level DSLRs
Canon has introduced three new cameras in its popular line of entry-level DSLRs-Canon EOS M50, Canon EOS 1500D, and Canon EOS 3000D. The Canon EOS M50 is a mirrorless camera, and the first in the company’s M-series to provide 4K video at 24p. It has a 24MP APS-C sensor, and a DIGIC 8 processor. It features an in-built 2.36M dot OLED electronic viewfinder, a 3-inch touchscreen, and dual pixel autofocus. The camera has an ISO range of 100-25600, which can be expanded to 51,200. It can also record 1080 HD video at 120p, and supports MPEG-4 and H.264 formats. The Canon EOS M50 uses the new CR3 Raw format. It shoot up to 10 fps, and 7.4fps in C-AF. The Canon EOS 1500D features a 24MP APS-C-size sensor, whereas Canon EOS 3000D has an 18MP APS-C sensor. Both the cameras feature an optical viewfinder, DIGIC 4+ image processors, and an ISO range of 100-6400, which can be expanded to 12,800. Canon 2000D and 4000D have a 9-point AF system with a cross-type sensor, and can record full HD videos at 30p or 24p. They also offer 3p fps burst shooting. However, both cameras feature different sizes of LCD. The Canon 1500D has a 3-inch LCD, and the Canon 3000D sports a 2.7-inch LCD.
Lettres du Voyant: Joseph Beuys x Nam June Paik – HOW Art Museum, Shanghai
After a two-year preparation, the HOW Art Museum in Shanghai recently inaugurated its exhibition of the year – Lettres du Voyant: Joseph Beuys x Nam June Paik. Curated by Dr. Gregor Jansen and Kim Nam Soo, the exhibition presents the representative works by German artist Joseph Beuys (1921–1986) and Korean-American artist Nam June Paik (1932– 2006), chronicling their artistic careers, and further discussing the cooperation and close relationship between these two avant-garde artists throughout the 20th century. On view till May 13, Lettres du Voyant is also the first institutional joint exhibition of the two artists who left a generous legacy through their respective works.
The Air is a Mill of Hooks – Bikaner House, New Delhi
From February 7 to 17, 2018, Vadehra Art Gallery presented a solo exhibition of artist Anju Dodiya’s recent body of works titled The Air is a Mill of Hooks at the Bikaner House in New Delhi. At the exhibition, Dodiya experimented with paintings rendered on shaped mattresses, fabric combines and unbleached cotton. Fraught with psychological perplexity and set to confront viewers with a poised theatricality, with some of the mattresses contoured into blood or teardrops, a sail, or a cross, the works on display simultaneously reminded viewers of the warmth of domestic interiors – making them feel as if they have entered a Renaissance pageant that has been interrupted by a torture scene.