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Photojournalist Max Desfor Dies at 104
Max Desfor, a former Associated Press (AP) photographer, the ex-photo editor of US News & World Report, passed away on 19 February in Maryland, USA, due to complications from a stroke. He was 104 years old. Desfor began his career as a messenger and darkroom assistant with AP, in 1933. In June 1950, he volunteered to report on the Korean War, when the North invaded the South. He was awarded the Pulitzer prize for his photograph that showed of hundreds of Korean war refugees, crossing the destroyed Taedong river bridge, as they looked for security from Chinese troops (1950). Later, during World War II, in August 1945, he photographed the bomber Enola Gay, after the B-29 arrived in Tinian. In an Instagram post following his death, fellow photojournalist David Hume Kennerly, had this to say about Desfor... “Max was a photographer’s photographer: Brave. Intrepid. A brilliant newsman. He had a great run.”
Elinchrom Unveils The ELB 500 TTL
Elinchrom has launched a new strobe light–the ELB 500 TTL. The company claims it is the world’s most powerful portable TTL light ever designed. The light provides 500Ws of power from a power pack.The whole set comprises of a 2.48kg power pack with removable battery, along with one or two light heads. The high speed sync allows the shortest shutter speeds of1/8000sec. The ELB 500 TTL has the shortest flash duration of 1/20,000sec. It features a manual lock function, in-built Skyport and Odin ll radio receivers, and a large OLED display. The lithium ion battery possesses a capacity of 72W/h, and can deliver 400 flash bursts at full power. Active Charging allows the battery to charge in or out of the pack, and it can be charged while being used.
Photographer Detained for Not Practising ‘Real Journalism’
Kamran Yousuf, a freelance photojournalist in Kashmir, was apprehended in early September 2017, for his alleged involvement with incidents involving stone pelting. On January 18, 2018, he was formally charged with ‘criminal conspiracy’, ‘waging war against the government of India’, committing ‘unlawful activities’ and being a ‘member of a terrorist organisation’. He has been incarcerated since then. The National Investigative Agency, does not have any strong evidence against him, so far, but the chargesheet presented by them in the New Delhi court states that Yousuf is not a ‘real journalist’. Drawing from the ethics of photojournalism, the NIA said that a ‘real journalist’ should cover the government’s development activities such as inaugurations, statement of political party, an iftar party during Ramzan, and skill development programmes for unemployed youth, which is the ‘moral duty’ of a journalist. The NIA scanned through his devices, and they stated.... “Kamran Yusuf had hardly taken any video of such an activity, or any video or image of any such activity can rarely be seen on his laptop or mobile that clearly shows his intentions to only cover activities that are anti-national and earn money against such footages.” Yousuf dropped out of college in 2014, and began working for publications like Greater Kashmir, and Kashmir Uzma, where Photograph of Kamran Yousuf via Facebook he photographed the turmoil of the region.
Sculpting in Time – National Gallery of Modern Art, Bengaluru
This February, The National Gallery of Modern Art Bengaluru, together with the Ministry of Culture, presented Sculpting in Time – an exhibition curated by Sadanand Menon that showcased six decades of Balan Nambiar’s artistic journey. Comprising various works – from drawings in conte, Indian ink, charcoal, pastels, watercolour and oils to jewellery, enamel paintings on silver and copper and sculptures, the exhibition had also displayed a selection of the artist’s photographs documenting Teyyam, Bhuta and other ritual art forms. Lectures, panel discussions, music programmes, film screenings and gallery walks were also scheduled during the month-long exhibition.