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SC Suggests To Revamp Crime Scene Photography
The Supreme Court of India has asked the government to consider the use of digital cameras with GPS and time stamp systems for crime scene photography on the recommendation of policemen. The court has requested the government to consider if states could create portals to upload images to note the time and reference number. Judges Adarsh Goel and U U Lalit, heard the submission of senior advocate and amicus curiae Arun Mohan, who suggested that the Bureau of Police Research and Development (BPR&D) can issue a manual. Mohan recommended that the digital cameras were on sale in the market for Rs 8000 each but the final specifications could be laid down by the BPR&D. Furthermore, he suggested,“The BPR&D may also prepare crime scene photography manual in English and regional languages,” and money can be used from unutilised funds. The judges added that the government should think about using this technology in every district headquarters, and eventually move to rural areas.
Smithsonian Magazine’s Photo Contest Finalists Announced
The Smithsonian magazine has revealed 60 fi nalists for their 15th annual photo contest. This year, 48,000 entries were sent in from155 countries, amongst which fi ve Indian photographers have been shortlisted. Vikas Datta was selected for his landscape image in the Natural World category; Debashish Mukherjee for capturing a boatman reading a newspaper; Yusuf Chiniwala’s image of Yaks at Pangong lake in the Travel category; Swaroop Singha Roy’s image of a deer stag in the forest in the Altered Images category, and Sirsendu Gayen’s photograph of Gangasagar Mela in the Mobile category.
Liquid Lake Mountain – Talwar Gallery, New Delhi
On February 8, 2018, the Talwar Gallery in New Delhi inaugurated Liquid Lake Mountain – a solo exhibition of new works by artist Alwar Balasubramaniam. The works reflect the shifts in pace and perspective that have accompanied Bala’s recent move from Bengaluru to the countryside in South India. The natural world comes to occupy a central role in all these works – not only as subject matter or even material but also as a kind of collaborator in their creations. On view till May 12, the exhibition portrays a sense of diversity, both in its use of materials and in its interpretations of the concept of transformation.
Vikas Sathaye Awarded the Sci-Tech Oscars 2018
Vikas Sathaye and his team won the Scientific and Engineering Academy Award, at the Oscars Scientific and Technical Awards 2018, for the concept, design, engineering and implementation of the SHOTOVER K1 camera system. It is a 6-axis stabilised aerial camera mount, that has an enhanced ability to frame shots while looking straight down. Sathaye says, “The camera mount attaches to the base of a helicopter, which carries the camera and lens. Its primary function is to eliminate vibration which affects steady footage. The secondary function of the mount is to move the camera head in the desired direction as required by the operator who sits inside the helicopter and uses a joystick to control the camera movement.” Vikas was born in Pune, 1967. He completed his diploma in instrumentation from VPM’s Polytechnic, Thane, and graduated with a BE in electronics from VIT Pune. Later, he completed his M Tech in instrumentation from IISc.