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HIPA Announces the Winners of 2018 Competition
The Hamdan International Photography Award (HIPA) has concluded its seventh season of competition ‘The Moment’. The award ceremony was held at Dubai Opera on March 12. The grand prize winner of the competition is Mohamed Alragheb’s picture of Spring in Aleppo, Syria. Winner of the Time-lapse video category is Beno Saradzic for Elysium, Slovenia. The Portfolio category winner is Paul Nicklen for A Harsh Melt, Canada. The General Category has been subdivided into two parts: Black and White, and Color. The winner of the Black and White category is Mahdi Pourebadi for capturing Duelling with Nature, Iran; and the winner of the Colour category is Zuhe Ding’s image of The Dream Express, China. Furthermore, photojournalist James Nachtwey received the Photography Appreciation Award, fellow photographer and environmental activist James Balog was presented with the Photography Content Creator Award, and photographer Muhammed Muheisen received the Emerging Person in Photography Award. HIPA has also revealed the theme for its eighth season–Hope.
Smithsonian Magazine’s Photo Contest Finalists Announced
The Smithsonian magazine has revealed 60 fi nalists for their 15th annual photo contest. This year, 48,000 entries were sent in from155 countries, amongst which fi ve Indian photographers have been shortlisted. Vikas Datta was selected for his landscape image in the Natural World category; Debashish Mukherjee for capturing a boatman reading a newspaper; Yusuf Chiniwala’s image of Yaks at Pangong lake in the Travel category; Swaroop Singha Roy’s image of a deer stag in the forest in the Altered Images category, and Sirsendu Gayen’s photograph of Gangasagar Mela in the Mobile category.
The Air is a Mill of Hooks – Bikaner House, New Delhi
From February 7 to 17, 2018, Vadehra Art Gallery presented a solo exhibition of artist Anju Dodiya’s recent body of works titled The Air is a Mill of Hooks at the Bikaner House in New Delhi. At the exhibition, Dodiya experimented with paintings rendered on shaped mattresses, fabric combines and unbleached cotton. Fraught with psychological perplexity and set to confront viewers with a poised theatricality, with some of the mattresses contoured into blood or teardrops, a sail, or a cross, the works on display simultaneously reminded viewers of the warmth of domestic interiors – making them feel as if they have entered a Renaissance pageant that has been interrupted by a torture scene.
Kavadsa – Jehangir Art Gallery, Mumbai
From February 7 to 13, 2018, Jehangir Art Gallery in Mumbai presented Kavadsa – renowned photographer Shailan Parker’s enthralling ‘Journey with Light’. ‘Kavadsa’ is the Marathi word for the thin beams of light that enter a room through the gaps in a tiled roof. Kavadsa showcased Parker’s photographic expressions as fine art and shared with the audience his exploration of the medium. Captured in black and white, the photographs allowed viewers to see what the photographer saw, view the world as he did and yet experience it in their own unique ways.