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Photographer Detained for Not Practising ‘Real Journalism’

Kamran Yousuf, a freelance photojournalist in Kashmir, was apprehended in early September 2017, for his alleged involvement with incidents involving stone pelting. On January 18, 2018, he was formally charged with ‘criminal conspiracy’, ‘waging war against the government of India’, committing ‘unlawful activities’ and being a ‘member of a terrorist organisation’. He has been incarcerated since then. The National Investigative Agency, does not have any strong evidence against him, so far, but the chargesheet presented by them in the New Delhi court states that Yousuf is not a ‘real journalist’. Drawing from the ethics of photojournalism, the NIA said that a ‘real journalist’ should cover the government’s development activities such as inaugurations, statement of political party, an iftar party during Ramzan, and skill development programmes for unemployed youth, which is the ‘moral duty’ of a journalist. The NIA scanned through his devices, and they stated.... “Kamran Yusuf had hardly taken any video of such an activity, or any video or image of any such activity can rarely be seen on his laptop or mobile that clearly shows his intentions to only cover activities that are anti-national and earn money against such footages.” Yousuf dropped out of college in 2014, and began working for publications like Greater Kashmir, and Kashmir Uzma, where Photograph of Kamran Yousuf via Facebook he photographed the turmoil of the region.

I wish to let you fall out of my hands – Experimenter, Kolkata

On January 30, 2018, Experimenter in Gariahat, Kolkata, opened I wish to let you fall out of my hands (Chapter I), showcasing works created by artists Bani Abidi and Naeem Mohaiemen. The exhibition marked the first chapter in a two-chapter exhibition, the second of which inaugurated Experimenter’s second space at Ballygunge Place, Kolkata, on February 21, 2018. The works on view at the exhibitions used film and photography to explore the complexity of human relationships and the spaces they occupy – whether transitory, aspirational, imaginary or reclaimed. The twopart exhibition also included a series of lecture performances, workshops and discussions.

Asymmetrical Objects – Dr. Bhau Daji Lad Mumbai City Museum

Earlier this year, Dr. Bhau Daji Lad Mumbai City Museum celebrated its 10th anniversary. And in March 2017, the Museum completed 160 years since it was first opened to the public by Lord Canning in 1857. To commemorate both occasions, the museum inaugurated Asymmetrical Objects – an exhibition curated by Tasneem Zakaria Mehta and Himanshu Kadam. With ten celebrated artists exploring the much-debated Age of the Anthropocene and its impact on the environment and the effects, the exhibition invited viewers to form their own conclusions and share them with the Museum in a dialogue through many activities and discussions.

Fujifi lm Launches the X-H1, its Latest Hybrid Flagship

The Fujifi lm X-H1 is the newest edition to the company’s popular X-series line-up. It features a 24MP X Trans sensor that is identical to the X-T2. It features 5-axis in-body image stabilisation (rated at 5EV), a 3.69M-dot OLED viewfi nder, a 3-inch touch sensitive rear LCD with two-axis tilt, and an ISO range of 200-12,800 (can be extended to 100-51,200). Regardless of the similar sensor and processor, Fujifi lm claims the camera displays enhanced video performance, and a better AF system, which can focus in low light conditions and with smaller apertures. X-H1 is the fi rst camera in the X-series to include the ETERNA fi lm simulation mode for shooting movies. It can shoot UHD 4K at up to 30p, DCI 4K capture at 23.97p and 24p, and can record F-Log footage internally. The enhanced compression option allows one to record video at up to 200 Mbps. Fujifi lm has also introduced a Movie Silent Control mode, that allows to switch between video and photography.