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Sony World Photography Awards Winners Revealed
Sony World Photography Awards 2018 has declared the national and open category winners. The competition, in its 11th edition, received 320,000 entries from 200 countries. The Open category winners were selected by the jury. The winners of the 10 categories are Richard Frishman from the United States for Still Life; Nick Dolding from the United Kingdom for Portraiture; Veselin Atanasov from Bulgaria for Landscape & Nature; Mikkel Beiter from Denmark for Travel; Klaus Lenzen from Germany for Enhanced; Manuel Armenis from Germany for Street Photography; Andreas Pohl from Germany for Architecture; Panos Skordas from Greece for Culture; Fajar Kristianto from Indonesia for Motion; and Justyna Zdunczyk from Poland for Wildlife. The National Award recognises the single images submitted by local photographers from various countries. Swapnil Deshpande, who won the India National Award, is one of the 60 National Award winners. The overall and Professional category winners will be announced on April 19.
1 + 1 = 1 Million – Vito Schnabel Gallery, St. Moritz
From February 15 to March 11, 2018, Vito Schnabel Gallery presented 1 + 1 = 1 Million, an exhibition curated by artist Tom Sachs to spotlight American conceptual artist Sol LeWitt’s significant works. Through a largescale wall drawing from 1978 and 19 luminous framed works on paper beginning from the 1970s, Sachs drew visitors into LeWitt’s careerlong exploration of authorship and the means by which it can be defined. The exhibition focused on three of the thirty-five statements from LeWitt’s 1969 Sentences on Conceptual Art, highlighting the ineffably poetic outcome of pursuing these ideas to their logical extreme.
The Air is a Mill of Hooks – Bikaner House, New Delhi
From February 7 to 17, 2018, Vadehra Art Gallery presented a solo exhibition of artist Anju Dodiya’s recent body of works titled The Air is a Mill of Hooks at the Bikaner House in New Delhi. At the exhibition, Dodiya experimented with paintings rendered on shaped mattresses, fabric combines and unbleached cotton. Fraught with psychological perplexity and set to confront viewers with a poised theatricality, with some of the mattresses contoured into blood or teardrops, a sail, or a cross, the works on display simultaneously reminded viewers of the warmth of domestic interiors – making them feel as if they have entered a Renaissance pageant that has been interrupted by a torture scene.
Sculpting in Time – National Gallery of Modern Art, Bengaluru
This February, The National Gallery of Modern Art Bengaluru, together with the Ministry of Culture, presented Sculpting in Time – an exhibition curated by Sadanand Menon that showcased six decades of Balan Nambiar’s artistic journey. Comprising various works – from drawings in conte, Indian ink, charcoal, pastels, watercolour and oils to jewellery, enamel paintings on silver and copper and sculptures, the exhibition had also displayed a selection of the artist’s photographs documenting Teyyam, Bhuta and other ritual art forms. Lectures, panel discussions, music programmes, film screenings and gallery walks were also scheduled during the month-long exhibition.