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New Delhi Police Manhandles Photojournalist
Anushree Fadnavis, a photojournalist with Hindustan Times, was physically assaulted by the Delhi police along with two other reporters, while covering a march by Jawaharlal Nehru University (JNU) students and teachers to Parliament to urge to meet several demands including academic freedom on March 23. The police tried to stop the march near the Safdarjung flyover with a lathi charge, and used water cannons on the marchers, as well as the journalists. After ceasing the use of water cannons, Vidyadhar Singh, Delhi Cantonment station house officer, attacked the journalists in the service lane of Brigadier Hoshiar Singh Marg. Fadnavis was photographing a student being kicked on the ground when female officers converged on her and snatched away her camera. A video capturing the struggle was uploaded online, after which the police apologised. They also suspended a woman constable and a male head constable. It has been noted by many that the police’s aggressiveness towards journalists has increased in recent times.
Photographer Detained for Not Practising ‘Real Journalism’
Kamran Yousuf, a freelance photojournalist in Kashmir, was apprehended in early September 2017, for his alleged involvement with incidents involving stone pelting. On January 18, 2018, he was formally charged with ‘criminal conspiracy’, ‘waging war against the government of India’, committing ‘unlawful activities’ and being a ‘member of a terrorist organisation’. He has been incarcerated since then. The National Investigative Agency, does not have any strong evidence against him, so far, but the chargesheet presented by them in the New Delhi court states that Yousuf is not a ‘real journalist’. Drawing from the ethics of photojournalism, the NIA said that a ‘real journalist’ should cover the government’s development activities such as inaugurations, statement of political party, an iftar party during Ramzan, and skill development programmes for unemployed youth, which is the ‘moral duty’ of a journalist. The NIA scanned through his devices, and they stated.... “Kamran Yusuf had hardly taken any video of such an activity, or any video or image of any such activity can rarely be seen on his laptop or mobile that clearly shows his intentions to only cover activities that are anti-national and earn money against such footages.” Yousuf dropped out of college in 2014, and began working for publications like Greater Kashmir, and Kashmir Uzma, where Photograph of Kamran Yousuf via Facebook he photographed the turmoil of the region.
HIPA Announces the Winners of 2018 Competition
The Hamdan International Photography Award (HIPA) has concluded its seventh season of competition ‘The Moment’. The award ceremony was held at Dubai Opera on March 12. The grand prize winner of the competition is Mohamed Alragheb’s picture of Spring in Aleppo, Syria. Winner of the Time-lapse video category is Beno Saradzic for Elysium, Slovenia. The Portfolio category winner is Paul Nicklen for A Harsh Melt, Canada. The General Category has been subdivided into two parts: Black and White, and Color. The winner of the Black and White category is Mahdi Pourebadi for capturing Duelling with Nature, Iran; and the winner of the Colour category is Zuhe Ding’s image of The Dream Express, China. Furthermore, photojournalist James Nachtwey received the Photography Appreciation Award, fellow photographer and environmental activist James Balog was presented with the Photography Content Creator Award, and photographer Muhammed Muheisen received the Emerging Person in Photography Award. HIPA has also revealed the theme for its eighth season–Hope.
Fujifi lm Launches the X-H1, its Latest Hybrid Flagship
The Fujifi lm X-H1 is the newest edition to the company’s popular X-series line-up. It features a 24MP X Trans sensor that is identical to the X-T2. It features 5-axis in-body image stabilisation (rated at 5EV), a 3.69M-dot OLED viewfi nder, a 3-inch touch sensitive rear LCD with two-axis tilt, and an ISO range of 200-12,800 (can be extended to 100-51,200). Regardless of the similar sensor and processor, Fujifi lm claims the camera displays enhanced video performance, and a better AF system, which can focus in low light conditions and with smaller apertures. X-H1 is the fi rst camera in the X-series to include the ETERNA fi lm simulation mode for shooting movies. It can shoot UHD 4K at up to 30p, DCI 4K capture at 23.97p and 24p, and can record F-Log footage internally. The enhanced compression option allows one to record video at up to 200 Mbps. Fujifi lm has also introduced a Movie Silent Control mode, that allows to switch between video and photography.