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Kavadsa – Jehangir Art Gallery, Mumbai
From February 7 to 13, 2018, Jehangir Art Gallery in Mumbai presented Kavadsa – renowned photographer Shailan Parker’s enthralling ‘Journey with Light’. ‘Kavadsa’ is the Marathi word for the thin beams of light that enter a room through the gaps in a tiled roof. Kavadsa showcased Parker’s photographic expressions as fine art and shared with the audience his exploration of the medium. Captured in black and white, the photographs allowed viewers to see what the photographer saw, view the world as he did and yet experience it in their own unique ways.
Sculpting in Time – National Gallery of Modern Art, Bengaluru
This February, The National Gallery of Modern Art Bengaluru, together with the Ministry of Culture, presented Sculpting in Time – an exhibition curated by Sadanand Menon that showcased six decades of Balan Nambiar’s artistic journey. Comprising various works – from drawings in conte, Indian ink, charcoal, pastels, watercolour and oils to jewellery, enamel paintings on silver and copper and sculptures, the exhibition had also displayed a selection of the artist’s photographs documenting Teyyam, Bhuta and other ritual art forms. Lectures, panel discussions, music programmes, film screenings and gallery walks were also scheduled during the month-long exhibition.
Maganbhai Patel, Known for his Studio Portraits, Passes Away
Maganbhai Patel passed away on 11 February in England. He was 95. He arrived in Coventry, from India, in 1951, and spent his initial years in shared housing, where he mingled with other immigrants. He found work at General Electric, where he was a member of their photographic society. Having already dabbled in photography when he was in India, Patel took photography classes in England. It was during this time that he began receiving assignments to photograph weddings and other events. Eventually, he quit his job to pursue photography full-time. Soon, he opened his own studio, close to home, where he photographed anybody who came in looking to have a portrait made of themselves. These individuals were mostly immigrants like him, hoping to get a passport picture made or to send photographs back home. At 94, his work came into the limelight, when his daughter showcased his work in a local exhibition group. “His work is of huge signifi cance not just for Coventry but the UK because it’s a window into the lives of people as they arrived here and the image they wanted to send home,” says Jason Tilley, curator of Photo Archive Miners.
The Air is a Mill of Hooks – Bikaner House, New Delhi
From February 7 to 17, 2018, Vadehra Art Gallery presented a solo exhibition of artist Anju Dodiya’s recent body of works titled The Air is a Mill of Hooks at the Bikaner House in New Delhi. At the exhibition, Dodiya experimented with paintings rendered on shaped mattresses, fabric combines and unbleached cotton. Fraught with psychological perplexity and set to confront viewers with a poised theatricality, with some of the mattresses contoured into blood or teardrops, a sail, or a cross, the works on display simultaneously reminded viewers of the warmth of domestic interiors – making them feel as if they have entered a Renaissance pageant that has been interrupted by a torture scene.