Triumph-bonneville-wallpaper - image #13
Your screen resolution:Original Image Size: 620x390 px
File Type: .jpg
Category: Triumph-bonneville-wallpaper Information for Downloading:
With this tool, you can convert the image to the most suitable resolution for you
Views: 41 | Download:3
Direct HTML Link
Preview / HTML
Forum | Blogs | BBCode
Please Pay Attention
All the Images, Wallpapers, Backgrounds, Pictures, Graphics, Arts are Copyrighted to The Respective Creators, Designers and Authors.
We Don't Intend to Showcase Copyright Images, Pictures, Graphics, Arts.
The Wallpapers, Arts, Graphics available on our website are for Personal Use Only (For Desktops, Laptops, Mobiles, Tablets Screen Backgrounds).
None of the Image should be used for Commercial Purpose.
SC Suggests To Revamp Crime Scene Photography
The Supreme Court of India has asked the government to consider the use of digital cameras with GPS and time stamp systems for crime scene photography on the recommendation of policemen. The court has requested the government to consider if states could create portals to upload images to note the time and reference number. Judges Adarsh Goel and U U Lalit, heard the submission of senior advocate and amicus curiae Arun Mohan, who suggested that the Bureau of Police Research and Development (BPR&D) can issue a manual. Mohan recommended that the digital cameras were on sale in the market for Rs 8000 each but the final specifications could be laid down by the BPR&D. Furthermore, he suggested,“The BPR&D may also prepare crime scene photography manual in English and regional languages,” and money can be used from unutilised funds. The judges added that the government should think about using this technology in every district headquarters, and eventually move to rural areas.
Museo Camera Needs To Raise Rs. 1.5 Crore
Museo Camera is India’s first vintage camera museum located at India Photo Archive’s headquarters in Gurugram. It showcases antique analogue cameras, and other photographic equipment dating back to the 19th century. The collection is owned and curated by photographer and visual historian, Aditya Arya. The government of Haryana, through the Municipal Corporation of Gurugram (MCG) has decided to build an 18,000 sq. ft. museum to exhibit Arya’s vast collection. They have leased 0.75 acres land in Chakkarpur, Gurugram. Museo Camera: A Centre for the Photographic Arts will have exhibition spaces for 200 visitors, along with scientifically controlled environments for the preservation of artifacts, equipment, negatives, and others. However, the museum needs to raise Rs. 1.5 crore, through contributions. Arya aims to make Museo Camera India’s first crowd funded museum. The contributors will also have their names featured on the wall of the museum, along with other privilages. To contribute, please
Photojournalist Kamran Yousuf Released On Bail
Kamran Yousuf, a freelance photojournalist from Kashmir, was granted bail on March 12, by the Delhi court. He was released the next day. Yousuf was apprehended by the Jammu and Kashmir police on September 4, 2017. The next day he was turned over to the National Investigative Agency (NIA). In January 2018, a 13,000 pages chargesheet was filed against him by the NIA, where he was accused of alleged sedition, terror funding, stone-pelting, and involvement with Hafiz Saeed and Syed Salauddin. Furthermore, the media was also accused for the current situation of the valley. However, during the trial, NIA was unable to present any strong evidence against him in court. After 6 months of detainment, Yousuf said, “I don’t want to see it (jail) ever again. I feel this is all a dream.”
I wish to let you fall out of my hands – Experimenter, Kolkata
On January 30, 2018, Experimenter in Gariahat, Kolkata, opened I wish to let you fall out of my hands (Chapter I), showcasing works created by artists Bani Abidi and Naeem Mohaiemen. The exhibition marked the first chapter in a two-chapter exhibition, the second of which inaugurated Experimenter’s second space at Ballygunge Place, Kolkata, on February 21, 2018. The works on view at the exhibitions used film and photography to explore the complexity of human relationships and the spaces they occupy – whether transitory, aspirational, imaginary or reclaimed. The twopart exhibition also included a series of lecture performances, workshops and discussions.