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Canon Reveals New Entry-Level DSLRs
Canon has introduced three new cameras in its popular line of entry-level DSLRs-Canon EOS M50, Canon EOS 1500D, and Canon EOS 3000D. The Canon EOS M50 is a mirrorless camera, and the first in the company’s M-series to provide 4K video at 24p. It has a 24MP APS-C sensor, and a DIGIC 8 processor. It features an in-built 2.36M dot OLED electronic viewfinder, a 3-inch touchscreen, and dual pixel autofocus. The camera has an ISO range of 100-25600, which can be expanded to 51,200. It can also record 1080 HD video at 120p, and supports MPEG-4 and H.264 formats. The Canon EOS M50 uses the new CR3 Raw format. It shoot up to 10 fps, and 7.4fps in C-AF. The Canon EOS 1500D features a 24MP APS-C-size sensor, whereas Canon EOS 3000D has an 18MP APS-C sensor. Both the cameras feature an optical viewfinder, DIGIC 4+ image processors, and an ISO range of 100-6400, which can be expanded to 12,800. Canon 2000D and 4000D have a 9-point AF system with a cross-type sensor, and can record full HD videos at 30p or 24p. They also offer 3p fps burst shooting. However, both cameras feature different sizes of LCD. The Canon 1500D has a 3-inch LCD, and the Canon 3000D sports a 2.7-inch LCD.
1 + 1 = 1 Million – Vito Schnabel Gallery, St. Moritz
From February 15 to March 11, 2018, Vito Schnabel Gallery presented 1 + 1 = 1 Million, an exhibition curated by artist Tom Sachs to spotlight American conceptual artist Sol LeWitt’s significant works. Through a largescale wall drawing from 1978 and 19 luminous framed works on paper beginning from the 1970s, Sachs drew visitors into LeWitt’s careerlong exploration of authorship and the means by which it can be defined. The exhibition focused on three of the thirty-five statements from LeWitt’s 1969 Sentences on Conceptual Art, highlighting the ineffably poetic outcome of pursuing these ideas to their logical extreme.
New Delhi Police Manhandles Photojournalist
Anushree Fadnavis, a photojournalist with Hindustan Times, was physically assaulted by the Delhi police along with two other reporters, while covering a march by Jawaharlal Nehru University (JNU) students and teachers to Parliament to urge to meet several demands including academic freedom on March 23. The police tried to stop the march near the Safdarjung flyover with a lathi charge, and used water cannons on the marchers, as well as the journalists. After ceasing the use of water cannons, Vidyadhar Singh, Delhi Cantonment station house officer, attacked the journalists in the service lane of Brigadier Hoshiar Singh Marg. Fadnavis was photographing a student being kicked on the ground when female officers converged on her and snatched away her camera. A video capturing the struggle was uploaded online, after which the police apologised. They also suspended a woman constable and a male head constable. It has been noted by many that the police’s aggressiveness towards journalists has increased in recent times.
Fujifi lm Launches the X-H1, its Latest Hybrid Flagship
The Fujifi lm X-H1 is the newest edition to the company’s popular X-series line-up. It features a 24MP X Trans sensor that is identical to the X-T2. It features 5-axis in-body image stabilisation (rated at 5EV), a 3.69M-dot OLED viewfi nder, a 3-inch touch sensitive rear LCD with two-axis tilt, and an ISO range of 200-12,800 (can be extended to 100-51,200). Regardless of the similar sensor and processor, Fujifi lm claims the camera displays enhanced video performance, and a better AF system, which can focus in low light conditions and with smaller apertures. X-H1 is the fi rst camera in the X-series to include the ETERNA fi lm simulation mode for shooting movies. It can shoot UHD 4K at up to 30p, DCI 4K capture at 23.97p and 24p, and can record F-Log footage internally. The enhanced compression option allows one to record video at up to 200 Mbps. Fujifi lm has also introduced a Movie Silent Control mode, that allows to switch between video and photography.