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Canon Reveals New Entry-Level DSLRs
Canon has introduced three new cameras in its popular line of entry-level DSLRs-Canon EOS M50, Canon EOS 1500D, and Canon EOS 3000D. The Canon EOS M50 is a mirrorless camera, and the first in the company’s M-series to provide 4K video at 24p. It has a 24MP APS-C sensor, and a DIGIC 8 processor. It features an in-built 2.36M dot OLED electronic viewfinder, a 3-inch touchscreen, and dual pixel autofocus. The camera has an ISO range of 100-25600, which can be expanded to 51,200. It can also record 1080 HD video at 120p, and supports MPEG-4 and H.264 formats. The Canon EOS M50 uses the new CR3 Raw format. It shoot up to 10 fps, and 7.4fps in C-AF. The Canon EOS 1500D features a 24MP APS-C-size sensor, whereas Canon EOS 3000D has an 18MP APS-C sensor. Both the cameras feature an optical viewfinder, DIGIC 4+ image processors, and an ISO range of 100-6400, which can be expanded to 12,800. Canon 2000D and 4000D have a 9-point AF system with a cross-type sensor, and can record full HD videos at 30p or 24p. They also offer 3p fps burst shooting. However, both cameras feature different sizes of LCD. The Canon 1500D has a 3-inch LCD, and the Canon 3000D sports a 2.7-inch LCD.
Kavadsa – Jehangir Art Gallery, Mumbai
From February 7 to 13, 2018, Jehangir Art Gallery in Mumbai presented Kavadsa – renowned photographer Shailan Parker’s enthralling ‘Journey with Light’. ‘Kavadsa’ is the Marathi word for the thin beams of light that enter a room through the gaps in a tiled roof. Kavadsa showcased Parker’s photographic expressions as fine art and shared with the audience his exploration of the medium. Captured in black and white, the photographs allowed viewers to see what the photographer saw, view the world as he did and yet experience it in their own unique ways.
Sculpting in Time – National Gallery of Modern Art, Bengaluru
This February, The National Gallery of Modern Art Bengaluru, together with the Ministry of Culture, presented Sculpting in Time – an exhibition curated by Sadanand Menon that showcased six decades of Balan Nambiar’s artistic journey. Comprising various works – from drawings in conte, Indian ink, charcoal, pastels, watercolour and oils to jewellery, enamel paintings on silver and copper and sculptures, the exhibition had also displayed a selection of the artist’s photographs documenting Teyyam, Bhuta and other ritual art forms. Lectures, panel discussions, music programmes, film screenings and gallery walks were also scheduled during the month-long exhibition.
Photographer Detained for Not Practising ‘Real Journalism’
Kamran Yousuf, a freelance photojournalist in Kashmir, was apprehended in early September 2017, for his alleged involvement with incidents involving stone pelting. On January 18, 2018, he was formally charged with ‘criminal conspiracy’, ‘waging war against the government of India’, committing ‘unlawful activities’ and being a ‘member of a terrorist organisation’. He has been incarcerated since then. The National Investigative Agency, does not have any strong evidence against him, so far, but the chargesheet presented by them in the New Delhi court states that Yousuf is not a ‘real journalist’. Drawing from the ethics of photojournalism, the NIA said that a ‘real journalist’ should cover the government’s development activities such as inaugurations, statement of political party, an iftar party during Ramzan, and skill development programmes for unemployed youth, which is the ‘moral duty’ of a journalist. The NIA scanned through his devices, and they stated.... “Kamran Yusuf had hardly taken any video of such an activity, or any video or image of any such activity can rarely be seen on his laptop or mobile that clearly shows his intentions to only cover activities that are anti-national and earn money against such footages.” Yousuf dropped out of college in 2014, and began working for publications like Greater Kashmir, and Kashmir Uzma, where Photograph of Kamran Yousuf via Facebook he photographed the turmoil of the region.