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1 + 1 = 1 Million – Vito Schnabel Gallery, St. Moritz
From February 15 to March 11, 2018, Vito Schnabel Gallery presented 1 + 1 = 1 Million, an exhibition curated by artist Tom Sachs to spotlight American conceptual artist Sol LeWitt’s significant works. Through a largescale wall drawing from 1978 and 19 luminous framed works on paper beginning from the 1970s, Sachs drew visitors into LeWitt’s careerlong exploration of authorship and the means by which it can be defined. The exhibition focused on three of the thirty-five statements from LeWitt’s 1969 Sentences on Conceptual Art, highlighting the ineffably poetic outcome of pursuing these ideas to their logical extreme.
Photographer Detained for Not Practising ‘Real Journalism’
Kamran Yousuf, a freelance photojournalist in Kashmir, was apprehended in early September 2017, for his alleged involvement with incidents involving stone pelting. On January 18, 2018, he was formally charged with ‘criminal conspiracy’, ‘waging war against the government of India’, committing ‘unlawful activities’ and being a ‘member of a terrorist organisation’. He has been incarcerated since then. The National Investigative Agency, does not have any strong evidence against him, so far, but the chargesheet presented by them in the New Delhi court states that Yousuf is not a ‘real journalist’. Drawing from the ethics of photojournalism, the NIA said that a ‘real journalist’ should cover the government’s development activities such as inaugurations, statement of political party, an iftar party during Ramzan, and skill development programmes for unemployed youth, which is the ‘moral duty’ of a journalist. The NIA scanned through his devices, and they stated.... “Kamran Yusuf had hardly taken any video of such an activity, or any video or image of any such activity can rarely be seen on his laptop or mobile that clearly shows his intentions to only cover activities that are anti-national and earn money against such footages.” Yousuf dropped out of college in 2014, and began working for publications like Greater Kashmir, and Kashmir Uzma, where Photograph of Kamran Yousuf via Facebook he photographed the turmoil of the region.
Photojournalist Max Desfor Dies at 104
Max Desfor, a former Associated Press (AP) photographer, the ex-photo editor of US News & World Report, passed away on 19 February in Maryland, USA, due to complications from a stroke. He was 104 years old. Desfor began his career as a messenger and darkroom assistant with AP, in 1933. In June 1950, he volunteered to report on the Korean War, when the North invaded the South. He was awarded the Pulitzer prize for his photograph that showed of hundreds of Korean war refugees, crossing the destroyed Taedong river bridge, as they looked for security from Chinese troops (1950). Later, during World War II, in August 1945, he photographed the bomber Enola Gay, after the B-29 arrived in Tinian. In an Instagram post following his death, fellow photojournalist David Hume Kennerly, had this to say about Desfor... “Max was a photographer’s photographer: Brave. Intrepid. A brilliant newsman. He had a great run.”
Ecole Intuit Lab Will Introduce Photography Courses
The Ecole Intuit Lab (EIL), a French institute of graphic design and visual communication, has introduced two new photography courses—A part-time course (starting from March 2018), and a full-time one year diploma (starting from July 2018). The aim of the course is to train budding photographers who wish to hone their skills and pursue photography professionally. The faculty is comprised of names like Jeroo Mulla, Chirodeep Chaudhuri, Srinivas Kuruganti, P Madhavan, Anurag Banerjee, and Kunal Kampani. The course will also offer insights on topics like graphic design, lettering and typography, branding, and semiotics, for better future collaborations with designers. “Although the main curriculum is tightly put together, the classes aren’t textbook based. This follows a philosophy of education through work-like situations, in order to allow more in-class flexibility, as well as to prepare students for the real world,” says Matthieu Foss, Director of the photography programme at EIL.